Well this week turned started out as a nightmare for me but because of some good people things worked out. This week's topic is all about how treat your clients & customers great and what can happen if you don't. Just sit back and watch my video and you will see what I mean. I know this is a bit long but trust me, if you are someone who sells a product or service you will want to watch this entire video.
Last week we took a look at the first 3 mixing mistakes. This week I have 3 more for you to consider!
Problem # 4 - Misaligned Tracks - This is a no-brainer. When you send stems (separated groups of track i.e.. guitar, bass, kick, snare vocal) make sure they all start at the same place. For example, if the lead vocal does not come in until 0.30 then that stem should have 0.30 seconds of silence at the top.
Problem # 5 - Too Much Treble - Last week we discussed too much low end right?. Well I see the same issue with the high end all the time. A lot of sessions I receive have the majority of the tracks with high end of the EQ boosted between 5khz & 8khz. So when you do this on all of the tracks it makes for a very harsh sounding mix. Once agin this is usually due to poor acoustic treatment in ones mixing environment. So be careful to not add too much high end and get your room acoustically treated.
Problem #6 - Not Using Reference Tracks - This is one that a...
Over these next two weeks we are going to discuss the eight top mixing mistakes that I hear on a regular basis from home studio / project studio and how you can avoid these pitfalls.
I get a lot of mixes sent to me from students and clients from all over the world. I hear all different styles of music and most of these mixes were done by people in the home studio environment. What I have found is there are several problem areas that are common between most mixes. So these next two blog posts will address these areas and I encourage you to take these seriously as it can make the difference between a good mix and a great mix.
Problem Area # 1 - Too Much Bottom End - Too much low end is the most common thing I hear coming out of the project studio and it’s usually caused by an inaccurate mixing environment. The average home studio usually lacks the proper acoustic treatment necessary to accurately reflect the bass in the room, therefore you end up adding a...
This week I want to answer a question that has come up a few times recently and that is what type of computer do I use, what are the specs and what to consider when making an upgrade.
Let’s start off by telling you what I am currently using as of the writing of this article. I have a 2013 Mac Pro (trash can) with an eight-core 3.0GHZ processor and 32 GB ram. This also has two video cards, which are ADM Fire Pro D500 cards. The internal hard drive is a SSD 500GB drive and that runs the OS and all the applications. All of my recording sessions run off an external RAID drive set-up, which has three 2TB, drives and this RAID set-up is connected via thunderbolt.
Now prior to this I was using a 2008 Mac Pro, which had a Quad Core processor and 24GB of RAM. I used this every day in my studio for 5 years and it worked like a champ. I upgraded for a few reasons, which I will talk about in a moment. This 2008 Mac Pro is still in use in my home office and it is as reliable...
This week in the sprit of release of the new MADE EASY SERIES “Recording Drums in Studio One Made Easy” I wanted to quickly talk about the importance of the recording process itself. What do I mean? Well, you hear me say a lot “Get it Right at the Source” right? I say that a lot in my You Tube videos and I have said that to students in my e-mail correspondence many, many times.
Getting a great mix has so much to do with tracks that are recorded well. Taking the time to ensure that you get well-recorded tracks makes all the difference in the world. Have you ever tried to mix a song where the tracks sound like carp at the very start? It’s a real challenge and most times impossible to make a song sound professional when you start off with poorly recorded tracks.
So this week I want you to think about your recordings and if you are the engineer recording the tracks and mixing them be sure to take the most care and time to get tracks that sound...
This week article comes form a question I received last week from one of my students. Actually this question has been asked of me several times in the past so let’s answer it here shall we? The question is this.
“Should I put the EQ before compression or after compression.?”
Well, it depends. When I think about compression I think about controlling the dynamic range of a track and gluing it together. Simply put, we are going to lower the volume of the “peaks” in the audio and raise the volume of the “dips” in audio. Once we do that we are going to raise the overall volume of the track to make up for the compression we added. Now, interesting enough the way our ears hear things we perceive compression as making the audio louder and turning up the softer audio parts as opposed to softening the louder parts of the audio.
If I have to do a lot of EQ boosting to a track, say add 10db at 12Khz to an acoustic guitar to give it some air, then I...
Earlier this week I had something happen to give me new inspiration and a fresh look at my own mixing abilities so I wanted to pass this along to you, my friends!
I was flipping through the TV channels and I came across the Spike Lee documentary “Michael Jackson Journey from Motown to Off the Wall” on Showtime. I thought it might be pretty cool to check out even though I am not a Michael Jackson fan so I began to watch it and I am glad I decided to give it a chance. As I was watching it made me realize a couple of things?
First, even though I am not a fan of MJ’s music especially his last 3-4 records, I found a new appreciation for him as an artist especially back in the day when he was a kid with the Jackson 5 through the making of the Thriller record. Regardless of your feelings about him as a person or that style of music you can’t deny that he was truly a musical genius. The other thing that I had forgotten about over the years is sonically how amazing...
This week I want to tell you the secrete to achieving a great mix. There are two things you need to master or at least be extremely good at to ensure you can produce a great mix every time. Actually there are three things but you may only have control over two of them as the mixing engineer. What are they you ask?
A great recording! This is obvious right? Well, I think we all forget this concept more times than not. You hear the phrase all the time “get it right at the source”. Meaning that if you have great-recoded tracks you have a great foundation to work from and it makes the mixing process much easier. So if you are the one who is recording the artist then work on your recording chops. Learn about mic choice, mic placement, recording levels etc. Take great care to achieving a great recording and you will thank me later! If the raw tracks sound great then you are on your way to a great mix!
The next two things are the first two plugins you need to master and really...
This week I did a "how-to" video for the website "Studio-One Expert" on how to use the drum phase correction plugin Auto Align. If you mix sessions that have acoustic drums in them I would seriously consider checking out this plugin. It is a super simple way to check and correct phase on your drums and when everything is in phase the drums will "pop" and come to life.
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